The Lady in the Van
30/11/15 Filed in: Cinema
The story of how the playwright Alan Bennett allowed 'Miss Shepherd' to park her van in his driveway in Camden Town for 15 years.

Maggie Smith plays Miss Shepherd and I must admit that after watching her I can't imagine anybody else in the role. Superb is no exaggeration. Alex Jennings meanwhile is equally good as Alan Bennett. The device of physically portraying Bennett as the two parts of his character, namely the person and the author, is very clever. The film is above all a character study, and from this flows a continuous stream of humour.
While the other residents of the street wish that the lady and her van would move on, Bennett helps her, albeit reluctantly at first. The exchange between Bennett and the social worker over his role as her 'carer' is hilarious. As the film progresses we learn more about Miss Shepherd, if indeed that is her name. Her story is a sad one. Once a gifted concert pianist, her life was changed by her time in a convent, and then by an incident that leads her to believe she is a fugitive from the law. Add in a blackmailer, and her constant need to confess her sins, and we start to understand why she is as she is.

Maggie Smith plays Miss Shepherd and I must admit that after watching her I can't imagine anybody else in the role. Superb is no exaggeration. Alex Jennings meanwhile is equally good as Alan Bennett. The device of physically portraying Bennett as the two parts of his character, namely the person and the author, is very clever. The film is above all a character study, and from this flows a continuous stream of humour.
While the other residents of the street wish that the lady and her van would move on, Bennett helps her, albeit reluctantly at first. The exchange between Bennett and the social worker over his role as her 'carer' is hilarious. As the film progresses we learn more about Miss Shepherd, if indeed that is her name. Her story is a sad one. Once a gifted concert pianist, her life was changed by her time in a convent, and then by an incident that leads her to believe she is a fugitive from the law. Add in a blackmailer, and her constant need to confess her sins, and we start to understand why she is as she is.
The critics' reviews on Rotten Tomatoes give the film 100%, while the audience figure is 76%, the latter surprising me somewhat as I felt it was very much an audience-pleasing film. Certainly one not to be missed.